Turning router packing into a ruined alien temple

Original router packaging and the resulting model photoshopped into a jungle setting. (Robin Rowland)

Just before Christmas, I purchased a new router. Opened the box and the router was packaged in papier-mâché, a more environmentally friendly to all that plastic.  I took one look at it and it reminded me  of all those photos of  jungle ruins.

Finely carved corridors from the ruins of the Buddhist temple of Angkor Ta Prohm in Siem Reap, Cambodia. It dates to the 12th and 13th century and was built by king Jayavarman VII who is considered to be one of the greatest rulers of the ancient Khmer Empire. Allie Caulfield/ Wikimedia Commons

 

Ruins on a hill behind the better excavated ruins at Palenque. Alastair Rae / Wikimedia Commons

So I imagined that once on an alien world (of course it could just as well be Earth) that once there was an impressive building, the Emerald Temple, that was for some reason lost to history abandoned and thus the jungle took over. But this temple was so well built that most of it has survived the ages.

So I put my several ongoing kitbashing ship model projects aside to create the temple.  It took about five hours work over three days.

Close up view of the packaging. It certainly looks as if it’s a web of vines . (Robin Rowland)

I am calling this the Emerald Temple.  There was once cladding or covering or paint that when the temple was new and active would have been a bright emerald green.  That has now decayed so I began with a very light spray of emerald green spray paint plus a little camouflage olive green spray paint.

The Emerald Temple begins to take shape. (Robin Rowland)
A closer view of the emerald paint on one of the towers (Robin Rowland)
Top view of the unpainted packing (Robin Rowland)

I began with the top of the temple, adding a mix of commercial autumn leaves ground cover with dried tea from old tea bags to create the old leaves and other forest detritus that has built up over the years.

Ground cover and tea leaves create the detritus that has built over the years and decades. (Robin Rowland)
Front view with the old leaves and other forest detritus. (Robin Rowland)

I then added several layers of different coloured ground cover and foam bushes.

Ground cover added to all sections of the Emerald Temple (Robin Rowland)
A closer view of one of the towers. (Robin Rowland)

Additional plant life were twigs from my garden and a tomato stem, dipped in dilute white glue and then with some ground cover added.

An even closer view of the tower. (Robin Rowland)

And here is the final product

The Emerald Temple model. (Robin Rowland)
A slightly different angle. All the final product photos were shot in direct sunlight through a window. (Robin Rowland)
Close shot of the tower with modelling complete. (Robin Rowland)

Finally I photoshopped the completed model into an old screen grab of the jungle in Thailand from a documentary I shot back in 1997,  worked so that the temple appears to be part of the older, lower resolution video. It’s up to the viewer to decide whether or not the temple is part of a lost civilization on Earth or on an alien world.

Emperor Palpatine and his guards

Emperor Palpatine and his Star Wars Command guards. (Robin Rowland)
Emperor Palpatine and his Star Wars Command guards. (Robin Rowland)

So here is my first project for miniatures and photography, Emperor Palpatine and his guards.

The miniatures are painted Star Wars Command 54mm/ 1/32 scale figures.

palpatine2

Technical photo details for first and second images. Sony Alpha 77, with Tamron 70 to 300 lens, tripod, ISO 1000, manual settings f25 at 13 seconds.

A wider view of Emperor Palpatine and his guards. (Robin Rowland)
A wider view of Emperor Palpatine and his guards. (Robin Rowland)

Sony Alpha 55,Sony 55 to 200 SAM lens, ISO 3200, program mode, popup flash fired, 160 at f10.

Now for the fun part.  George Lucas was inspired by the old movie serials from the 30s to 60s in creating Star Wars.

So here’s how my miniatures look using filters to emulate old movies.

Emperor and his guards in a vintage movie (Robin Rowland)
Emperor and his guards in a vintage movie (Robin Rowland)

The Silver Efex Pro filter captures the idea of the old black and white (or semi sepia movies) Sony Alpha 77, Sony 100mm prime macro,  ISO 1600, Aperatre priority f32 at 25 seconds (on tripod)

The Emperor and his guards in an old colour film. (Robin Rowland)
The Emperor and his guards in an old colour film. (Robin Rowland)

This vintage film image was created in Analog Efex Pro using an old film setting. Sony Alpha 55, ,Sony 55 to 200 SAM lens, ISO 3200, aperture priority, popup flash fired, 160 at f16.

 A little later style of black and white film. (Robin Rowland)
A little later style of black and white film. (Robin Rowland)

And if the director was still using black and white.  SilverEfex Pro, Alpha 77, Tamron 70 t0 300 in macro mode, manual settings, ISO 1600, 32 seconds at f8.

Another old film look at the Emperor and his guards. (Robin Rowland)
Another old film look at the Emperor and his guards. (Robin Rowland)

Finally, how I created the set:

The set for the Emperor Palpatine shoot (Robin Rowland)
The set for the Emperor Palpatine shoot (Robin Rowland)

So here’s the “set” for the Emperor Palpatine shoot.  The round base originally supported WalMart’s delicious chocolate fudge cake.  I had kept the base several months ago as I was hoarding possible scratch building material.  The base is set on a piece of black poster board.  The background is a cardboard box spray painted black.  The two wall panels are also from chocolate cake bought from my local supermarket.

Lighting: Three lights on most of the images.  An LED flashlight as you see to the right of the setup.  On top of the box was a small LED light (designed for use with mobile phones, pointed at the offwhite ceiling. The third LED was to the left and about two metres away pointing just to the left edge of the box.

Once I had finished the tripod time exposure shoot, I wanted to get this shot of the set so I used the Alpha 55 with just the popup flash  at -2 without changing the lighting set up otherwise.  I used the same settings when shooting wider shots above with the Alpha 55.