Richard Stursberg...has the intellectual sharpness and political astuteness to transform the CBC. He would likely be a Robespierre. Heads would roll. The CBC would carry no more advertising. Its regional operations would be shut down. And the English TV network would be transformed into three channels: 1) Entertainment & Arts; 2) Documentaries; 3) Newsworld. That would be a start.
"Those were some notes that were put together on the back of an envelope. They were never sent to anybody. They never were discussed.
"It's been blown totally out of proportion."
"I made a series of notes to myself ... about what the bits and pieces of the elements of (another) option might be.... These notes that I have were my personal notes. Some of this I agree with, and some of it I am not sure I entirely agree with,'' said Stursberg. "They were not intended to be a particular proposition. They were intended really as a basis for having a discussion and, frankly, nothing came of it.''
Stursberg arranged a small gathering of representatives from private broadcasting, specialty channels, telephone companies and independent producers. At the meeting, says the source, he presented a three-page document, titled The Future of the CBC, outlining provocative changes to the public broadcaster, and sought endorsement of the proposals.
The issue is purely economic: Canadian private broadcasters' economic model is based on importing cheap U.S. programming, inserting Canadian commercials and simulcasting it for profit. There's nothing wrong with that, but it's hardly the way to increase the exposure of Canadian programs. The simple fact is that only the CBC can be the cornerstone of a solution to the crisis in English-Canadian drama on television. That's because only the CBC has the mandate and the shelf space to broadcast large amounts of high-quality, high-impact, popular and distinctively Canadian entertainment programming at a time when most people are able to watch: in the heart of prime time.And later in the same column:
While there are more and more channels out there, in some ways there's less and less real choice: The flip side of media fragmentation is media convergence and concentration of ownership. In this kind of environment, it's vital to ensure that there is a public space for information, analysis and debate.He concludes by saying:
Economists use the term "market failure" to describe the phenomenon by which activities that contribute to society are not provided by the commercial marketplace. That's an apt description of the Canadian television landscape. It explains why, according to surveys, nine out of 10 respondents believe CBC Television is an essential service.
"I don't pretend that I'm an expert on programming - but I know a thing or two about television," he told me yesterday.Richard Stursberg to Katherine Monk of the Vancouver Sun September 23, 2003, on his plans, while head of Telefilm, to make Canadian movies more commercial.
"This is fundamentally a managerial challenge."
"The biggest thing is creating a environment where creativity can work," said Rabinovitch. "I hired a creative thinker. I didn't hire a programmer. We have those here and we'll get others as we need them."
"We're still going to make movies for the intellectual 50-year-old who listens to CBC. We're not losing anything”Money Quote: Richard Stursberg to Rod McQueen of the Financial Post on Monday October 30, 2000, after he lost his job at Cancom when it was taken over by Shaw:
It's quite liberating for the first time in 25 or 30 years to suddenly not have a job to go to. It allows you to think about and talk about stuff in a way that you feel much less constrained."
The new CBC must be able to deal with a multi-channel universe and have the flexibility to respond to market conditions.If I was a prosecutor, that is the phrase I would use in any summation to a jury; “flexibility to respond to market conditions,” is the very phrase senior management keeps using in its argument for the casualization of the CBC.
I'm a Toronto-based writer, photographer, web producer, television producer, journalist and teacher. I'm author of five books, the latest A River Kwai Story: The Sonkrai Tribunal. The Garret tree is my blog on the writing life including my progress on my next book (which will be announced here some time in the coming months) My second blog, the Wampo, Nieke and Sonkrai follows the slow progress of my freelanced model railway based on my research on the Burma Thailand Railway (which is why it isn't updated that often) The Creative Guide to Research, based on my book published in 2000 is basically an archive of news, information and hints for both the online and the shoe-leather" researcher. (Google has taken over everything but there are still good hints there)
A River Kwai Story The Sonkrai Tribunal |
The Garret Tree That tree can be seen outside the window of this garret. An original photograph, filtered by a Photo Shop plug-in called India Ink. |