The Garret Tree
The David Lean Anniversary Conference
This year, 2008, as we've all heard from the superheated publicity, is the one hundredth anniversary of the birth of author Ian Fleming.

The fact that 2008 is also the one hundredth anniversary of the birth of one ot the greatest film directors David Lean, has had less hype.
There have been events in London all year marking the anniversary and one is a conference at Queen Mary University on July 25 and 26, 2008, that "offers an opportunity both to celebrate David Lean's career and to evaluate the nature of his achievement."
You can find out more about the David Lean conference on both the conference website or, if you're on Facebook, by joining the Facebook group David Lean 100th Anniversary Conference QMUL.
Facebook Event page for the conference.
I'll be speaking about "that movie" that it is what many former prisoners called The Bridge on the River Kwai on the afternoon of July 26, officially on "The Reception of The Bridge on the River Kwai among Former Far East Prisoners of War." It was a love hate relationship with that great film for many former POWs.
And I'll tell the conference why.
Hope to see you there.
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Labels: A River Kwai Story, Bridge on the River Kwai, Burma Thailand Railway, David Lean, film, London, World War II, writing
A River Kwai Story published, available online
A River Kwai Story: The Sonkrai Tribunal was officially published on April 4, 2008 by Allan and Uwin in Australia. The publisher is distributing the book in Australia, New Zealand and parts of the western Pacific. Allan and Unwin also has non-exclusive rights to distribute the book in Asia.
So far I haven't been able to sell rights in North America, the United Kingdom and Europe.
No matter, in the age of the Internet, the book is available online almost everywhere! (See below)
A River Kwai Story is a project that has taken almost eight years, but I was planning it for almost a decade, if not more, before that.
My father was a prisoner on the railway of death and so I heard his stories at the breakfast table. He also bought any book he could on the railway, most of the POW memoirs that were published following the success of David Lean's movie The Bridge on the River Kwai.
I really began work in the summer of 2000, when I was admitted to the interdisciplinary masters program at York University in Toronto.
Although my father was part of the group known as "H Force," when I was reading the memoirs my father had bought, I had a gut feeling that "F Force," the events at Sonkrai, was the key to understanding what happened on the Railway of Death. My gut feeling was confirmed when, as part of the interdisciplinary program, I began studying international humanitarian law and found out that the story of F Force not only had some of the most fascinating characters of the Second World War, but was also a little known but key case in the concept of command responsiblity for war crimes.
As I entered the second year of the part time program in September 2001 (I worked for CBC throughout the process and I am still working for CBC News) the attacks on September 11, and the subsequent events in Afghanistan, Guantanamo and Iraq made the story all the more relevant. While the Bush administration was denying that there was a strong legal definition of what constituted "inhuman treatment" of detainees, it was clear that every post-war case in the Far East, including the cases tried by the United States, clearly defined "inhuman treatment."
After I graduated from the MA program in the fall of 2003, I turned turning the academic thesis into a book. I thought it would take a year. It took four. There were delays in getting additional material to flesh out the academic thesis, to write the book as world events kept me busy at my job and then there were some delays in the production process at the Australian publisher.
Now it's available for you to read:
International orders for A River Kwai Story The Sonkrai Tribunal
Readers in North America, the United Kingdom and elsewhere can order A River Kwai Story through allbris, an online book store that consolidates orders from both online and "bricks and mortar" chain and independent bookstores.
The Asia Bookroom, in the Canberra suburb Macquarrie is an alibris affiliate, and that means readers can purchase A River Kwai Story through alibris and the Asia Bookroom.
In North America, go to alibris US to order A River Kwai Story.
In the United Kingdom, go to alibris UK to order A River Kwai Story.
The cost of the book as of April 6, 2008 (may vary due to currency fluctuations)
Canadian $49.56
US $46.69
UK £24.58
Alibris says delivery time is about three weeks.
Note despite the flag on the site, you are not ordering a used book. Asia Bookroom sells new books and, of course A River Kwai Story is brand new!
There is also a direct link to the alibris site from Google products.
Robin's other books
You can also get used copies of my earlier books through alibris.
In North America click here
In the United Kingdom click here
Technorati tags
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Labels: A River Kwai Story, Burma Thailand Railway, F Force, Geneva Convention, Guantanamo, Singapore, war crime, World War II, writing
Kwai, photography updates
A couple of updates:
Promotion for A River Kwai Story, from my agent Waterside Productions.
Australian publishers Allan and Unwin will reveal the long-held secrets of the River Kwai Story in their April 2008 publication of A River Kwai Story, The Sonkrai Tribunal by Waterside Author Robin Rowland. According to the author, more prisoners of war died at Sonkrai than any other camp on the infamous River Kwai Railway. The seven thousand Australian and British prisoners of war who comprised F Force were sent by the Japanese to build the toughest section of the railway in the mountains between Thailand and Burma. More than three thousand people died from slave labour, disease, starvation and exposure to the never-ending monsoon rain.
In 1946 seven former guards from the infamous River Kwai camp were put on trial for their lives before a military tribunal in Singapore, charged with the deaths of more than three thousand people. The account of the trial tells for the first time the story of F Force from all sides-Australian, British and Japanese-from the lowest private to the lieutenant colonels in command. The testimony, verdict and the surprise sentence shed new light on what really happened on the Railway of Death.
A River Kwai Story, The Sonkrai Tribunal is much more than a story of the infamous Railway of Death during the Second World War. The book is about the fairness of military tribunals/trials/commissions in cases where there are atrocities and heavy loss of life. As the United States begins trials of alleged terrorists at Guantanamo Bay, the reader discovers that the story of the River Kwai, known best through David Lean’s Oscar winning movie starring Alec Guinness and William Holden, is as relevant as tonight’s evening news, for the events on that railway led to military tribunals with almost the same rules of evidence and the same charges of unfair proceedings as are the trials now on at “Gitmo.”
Photography
Third place, Feature photography, Clips contest for November 2007, from the Eastern division of the News Photographers Association of Canada.

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Labels: A River Kwai Story, Allen and Unwin, Burma Thailand Railway, photography, photojournalism, writing
My microcareer in videogames
When you've got a book coming out you Google yourself a little more frequently just to see what's happening out there.
That's how I found out today that my very brief career in videogames actually resulted in a game called Maabus. Somehow the reference showed up in the second page of my Google search.
Back in the winter of 1993, I was freelancing, mainly as an underpaid casual writer at CTV News and so I was always on the lookout for other work. And that's how I came to be working for a CD duplicating company in Toronto called MicroForum that wanted to move from manufacturing into actual production.
I was hired to write a scenario for a game, where earth was threatened some mysterious force.
Here is the blurb and it is pretty close (as far as I remember) to what I wrote:
The year is 1999.
A mysterious new form of radiation is threatening life as we know it on Earth.... On a small tropical island, 1500 miles southwest of Hawaii in the Pacific, something sinister is going on...Rumors abound: monstrous mutants, alien fiends, and inexplicable phenomena. Is this the malicious plot of a hostile country? Or does the threat originate from some extra-terrestrial power?Many research teams have gone in... not a living soul has ever come out!Now as the last hope, the military has turned to you to crack the mystery and save the world from impending devastation. Your mission is to explore the island with the aid of a highly advanced computerized robot and an arsenal of state-of-the-art weapons. You must investigate uncharted tropical terrain, examine and analyze clues to seek out and destroy the source of this Evil. It will take all of your courage, skills and wits. And remember... EXPECT THE UNEXPECTED!
So I handed in the scenario, got paid and that was the last I heard about it, until today,more than 15 years later.
Now, thanks to Google, I find myself on a game review site called Moby Games, as a game developer!
(There's nothing there right, but I certainly intend to update it)
I never even got a copy of the game. (So I just bought a used copy on EBay.)
When PC Gamer reviewed the final product, it said:" On the box Maabus comes in, Microforum calls it both "the ultimate videogame" and "the ultimate adventure" - and that's a good clue to what's wrong with it. Maabus tries to be two things at once, and it succeeds at neither." The sort of thing you'd expect for a first effort (for both me and the company)
But it appears that the music is quite catchy and that's why the "Maabus Trailer" been posted on YouTube.
From the comments it appears that the song is much more popular than the game itself!
The credits say the music for the game was created by Maurizio Guarini and Steve Convery, but the trailer, according to the YouTube the credit for theTrailer for "Maabus" by Monolith Productions, taken from Softkey's "Game Empire" disc.
(It appears that it was an early effort by the Monolith Productions, now part of the Warner empire.)
So it's unclear where the song came from. I'll update when I get the CDs!
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Labels: game, Maabus, Toronto, videogame, writing
A River Kwai Story progress report

A brief pre-Christmas progress report on A River Kwai Story The Sonkrai Tribunal.
I spent the first couple of weeks of December going through what were once called (and perhaps still are in some ways) "the galleys." In the old days the galleys were the proofs were the long sheets of paper taken off long rows of metal ("hot") type. Later the galleys were the proofs that came out of some sort of electronic typesetting system.
These days it is Adobe's Acrobat system that is the standard, the complete book (all 6.5 megabytes) came to me by e-mail as a pdf attachment for that final check.
So it is now off to the printers (although the book won't be officially out until April, this was a good time to fit into the production schedule.
There is growing pre-publication interest in the book, with my agent looking at an offer for Asian English language rights and United Kingdom rights. Now perhaps an North American publisher will be interested as well.

I appeared live on BBC Radio Five this week (live from a CBC studio in Toronto) at 10:30 pm Toronto time, 3:30 am in the UK, for a 20-odd minute interview with Up All Night's host Rhod Sharp where we explored both the historic aspects of A River Kwai Story and the modern implications.
There is, unfortunately, no podcast of the show, and the onsite "aircheck" expired on Dec. 26.
Technorati tags
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Labels: A River Kwai Story, BBC, Burma Thailand Railway, CBC, Geneva Convention, Guantanamo, Japan, Singapore, war crime, World War II, writing
Blackwater:civilian contractors were prosecuted after WWII
Although many legal experts who have been discussing the case of Blackwater USA, the private contractor now being investigated for a shootout in Baghdad, say private contractors are in legal limbo, accountable to neither government nor laws, there is yet another episode from the Second World War in the Far East that is relevant to the modern world.
The guards in the River Kwai prison camps were gonzoku, private contractors employed by the Imperial Japanese Army. Many were tried as war criminals after war, including two of the defendants in A River Kwai Story.
Link to my story for CBCnews.ca
Private military contractors subject to rule of law
Second World War gonzoku provide precedent

One of the main characters in A River Kwai Story is a Korean gonzoku or civilian contractor named Hong Ki-song, also known by his Japanese name Toyoyama Kisei, who was one of the most hated guards on the Burma Thailand Railway, and was notorious for beating prisoners of war with the shaft of a golf club. Toyoyama, who volunteered for the duty, was sentenced to death by a British military court in Singapore. That sentence was later commuted to life imprisonment. This mug shot was taken by the U.S. army in Sugamo Prison in Tokyo. (U.S. National Archives)
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Labels: A River Kwai Story, Burma Thailand Railway, CBC, F Force, human rights, war crime, World War II, writing
River Kwai Story podcast on Radio Singapore International
In late August, I appeared on a history program on Radio Singapore International called Retrospect to discuss with host Mubin Sadat the history of the Burma Thailand Railway and the new information that will appear in the book A River Kwai Story The Sonkrai Tribunal when it appears in April 2008.
You can listen to the podcast here
Note: If the podcast doesn't download or play automatically, in Windows you can right click, save target as (Explorer) or save link as (Firefox) and then play from your hard drive with any player.
A River Kwai Story The Sonkrai Tribunal main page (includes online ordering information)
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Labels: A River Kwai Story, Australia, Burma Thailand Railway, Canada, F Force, Japan, Myanmar, Singapore, war crime, World War II, writing
Hemingway's lost "blog"
This week the CBC issued a set of "guidelines" for employees who blog. The guidelines were immediately controversial and the debate on Tod Maffin's Inside the CBC is still raging at this writing (70 comments as of Aug 5 at 1032 ET). My colleague Paul Gorbould has posted a thoughtful response to the controversy.
Which brings me to Ernest Hemingway's lost blog (or what would have been a blog if there had been a computerized world when "Papa" was writing.)
Most people know about Hemingway's famous lost short stories. In 1923, Hemingway's first wife, Hadley Richardson, was travelling from Paris to Lausanne to meet Hemingway and as she was waiting for a train at the Gare de Lyon, the suitcase with the stories was stolen from the station platform and so the stories were lost to literature and history. (Make a backup Ernest! Use carbon paper!)
The other lost work by Ernest Hemingway is less well known, his resignation letter from the Toronto Star. According to a number of Star histories, when Hemingway got fed up and decided to quit, he wrote a eloquent denunciation of The Star and its management on a long piece of paper taken from a teletype roll. (anticipating Jack Kerouac's method in On the Road by 30 years).
Imagine what it would have been like then if Hemingway had blogged? Now since it was a resignation letter, it wouldn't have broken any employee's blog restrictions, but that work, either on a blog or on teletype paper, would have likely have been the one the great documents in the history of journalism.
Hemingway apparently pinned the long sheet of teletype paper to a Star bulletin board and it remained there for months, and the staff kept reading it, loving it (one wonders what Star management thought) until one day it fall to the floor and was was swept up by the cleaning staff and ended up in a Toronto landfill.
I have had this website since December 26, 1999 (the date I registered robinrowland.com). It was created to promote my books and to put up the course outline and hints for my students when I taught at Ryerson University of School of Journalism. At that time, a few CBC employees had personal sites and when I started the site there was no objection, in fact I was told it was a great idea.
I posted my first blog entry on October 18, 2004, to track and promote the book I was writing at the time now called A River Kwai Story. Again, at the time, I was told it was a great idea.
Except of the time during the lockout, I have kept my blog tightly focused on my book project and on my photography along with occasional personal stuff.
But what do these guidelines say? That I can't talk about the brands of cameras I use, developments in the world of digital photography or the quality of my photo quality ink jet printer? As I do here and here and here and here. Is that endorsing (or not) a product?
A River Kwai Story is based on my academic research for my Master's Degree and it's about the history of war crimes and military tribunals. It could be, in some circles, be considered controversial. Does that mean CBC employees can't write controversial books--even if the work has done completely on their own time and has nothing to do what happens inside the corporation? (And for the record, stories based on my research have been offered to CBC News from time to time)
Which brings me back to Ernest Hemingway. If he was writing today, Hemingway would have to have a blog to promote his books, it is an absolute necessity in the 21st Century. Hemingway would have had to have a blog whether he worked for The Star or was an independent freelancer. I am sure Hemingway would use a blog as an outlet for his talents and ideas that might now, in the modern world of beancounting publishing, have no other outlet, even if the name of the author is Ernest Hemingway.
The problem is that most of the CBC employees who openly blog under their own names have been known from before the lockout. A year ago some of us issued the CBC Blogging Manifesto and signed our names to that document. It would have been easy to call a meeting and discuss these guidelines with the bloggers. I wasn't consulted and as far as I know, no other blogger was either.
Paul has quoted what the late CBC Ombudsman David Bazay said about blogging
If public broadcasters are to become bloggers I would hope that they would exercise their freedom of speech exactly the way they are compelled to exercise it within the CBC: with accuracy, fairness and integrity, with the responsible speech of CBC’s Journalistic Standards and Practices that has helped make this place one of the great places in the world where the citizen can be well informed.
I thought at the time that Bazay was right on and I have followed those guidelines.
If any corporation anywhere, respects its employees, that is all that is needed.
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Labels: A River Kwai Story, blogging, CBC, Ernest Hemingway, news, publishing, research, Toronto Star, writing
Edits complete, publication postponed
I finished the last edits of A River Kwai Story The Sonkrai Tribunal on Sunday, July 29, 2007.
At the same time, the Australian publisher, Allen and Unwin, has postponed publication a second time, so instead of 2007, it is now scheduled for late April 2008, to coincide with Australia's ANZAC Day. The book had been scheduled for July 6, 2007, but there were delays in the editing process.
It appears from what I am told, that unlike in North America, where the major selling period for books is around Christmas, publishers Down Under consider Christmas to be one of the worst times to sell books, except, as I was told "children's books and large novels." I am guessing it is maybe the weather, here everyone bundles up and reads through the winter, in Australia, I guess, they all go to the beach.
Also the book will not be available on Amazon, or any other online retailer. I had hoped that I could make up for the total lack of interest by North American and British publishers with sales on the major online retailers. That apparently is not possible, since Allan and Unwin only purchased the Australia and New Zealand rights, they can't put it up on Amazon.
Now, after I get the galleys (early September I hope) perhaps my agent can kindle some interest somewhere.
One online bookstore in Queensland is advertising the book. So you can order it from QBD The Bookshop, an online bookseller in Australia, which does ship internationally. Prices are in Australian dollars. Link to order A River Kwai Story from QBD The Bookshop
So what are my plans? This project has taken more years than I ever expected. It was in July 2000 that I was admitted to the Interdisciplinary Masters Program at York University and Osgoode Hall Law School. I defended my thesis in September 2003 and graduated in November 2003. It took me six weeks, part time, to write the thesis. But it took more than two and a half years to write the book. It took longer than I expected to turn the academic argument into a narrative. And then, as mentioned earlier in this blog, publication was postponed last year.
So I while I have a few other ideas on my hard drive, I am not going to write a word, outside of work, until the book comes out. It's time to catch up on things I have put on hold for the past seven years. Let's hope that the next seven will be good ones.
Technorati tags
writing, journalism, Burma Thailand Railway, World War II, Australia,F Force, Prisoner of War,
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Labels: A River Kwai Story, Allen and Unwin, Australia, Canada, CBC, human rights, writing
Facebook group for A River Kwai Story
I have created a Facebook group for A River Kwai Story.
Facebook members can click on the link. If not, join Facebook and then join the group.
Technorati tags
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Labels: A River Kwai Story, Burma Thailand Railway, writing
Toronto rally May 10 for BBC's Alan Johnston
Canadian Journalists for Free Expression (CJFE) and the Canadian Media Guild (CMG) have called on their members and all journalists to mark May 10, 2007, by attending a rally in Toronto in support of British journalist Alan Johnston. BBC Gaza correspondent Alan Johnston was kidnapped by gunmen near his office in Gaza City on March 12, 2007. Thursday, May 10 marks his 60th day in captivity.
In Toronto at
Simcoe Park
200 Front Street West
(beside the CBC building)
Thursday, May 10, 2007
12:00 p.m. - 12:40p.m.
Speakers include:
Peter Mansbridge, CBC Television
Brian Stewart, CBC Television
Anna Maria Tremonti, CBC Radio
Rick MacInnes Rae, CBC Radio
Patrick Martin, The Globe and Mail
Sandro Contenta, Toronto Star

Click in the image link above or go to the BBC Editor's page on Alan Johnston.
Johnston, 44, is a veteran foreign correspondent. Before moving to Gaza in 2004, he ran BBC bureaus in Kabul and Tashkent. He is widely respected and liked by his peers. His reporting on events in Gaza has been widely acclaimed as balanced, insightful and courageous.
The BBC and media workers rights organizations around the world have been calling for Johnston's immediate and safe release from the day of his abduction. These appeals have taken on a new urgency as time goes on. His parents in Scotland, both in their 70s, have appeared on international television and radio to appeal to his kidnappers for their son's freedom.
Johnston is believed to be alive and in good health but there is no sign of his captors releasing him anytime soon. Why he's being held remains a matter for speculation.
A single media worker harmed or kidnapped is one too many. The International Freedom of Expression eXchange (IFEX) reports dozens of instances of journalists taken hostage each year, many of them in Iraq and the Gaza strip. Fourteen journalists have been kidnapped in the Gaza Strip since 2005. Reporters, camera crew and producers need to know they can work safely in troubled areas like Gaza. If journalists are unable to report freely, the world will have lost vital access to information.
CBC News Editor in Chief, Tony Burman's Letter: Why BBC's kidnapped Alan Johnston needs to be freed.
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Labels: Alan Johnston, BBC, Canada, CBC, Gaza, Globe and Mail, news, Toronto, Toronto Star, writing
Final edits under way
I have received the first edited chapters back from Allan & Unwin, so the book is on track for the planned publication in July 2007.
The title is now
A River Kwai Story
F Force and the Sonkrai Tribunal
Labels: Burma Thailand Railway, Guantanamo, human rights, Japan, publishing, Singapore, World War II, writing
Turning a Nikon into a scanner!
My CBC colleague Paul Gorbould of our online Archives reveals one of the secrets that Google is using to create its controversial Google Book Search, by turning high-end Nikons into a robotic scanner.
It's from a company called Kirtas, and has a total cost of about $200,000.
Details on his blog in a post called Speed Reader.
Reminds of the old sayings about using a racehorse to pull a cart.
But at least using the Nikon will likely ensure the result is readable!
As the New Yorker reported this week Google wants to scan every book ever published and this has been controversial ever since it was announced. Legal expert Jeffrey Toobin says in the story Google isn't the only outfit planning to scan every written word from Gilgamesh to Harry Potter.
Gilgamesh, at least in the original cuneiform, if you can find a copy that is not copyrighted by a museum, should have been in pubic domain for 4600 years. Harry Potter, of course, will remain copyrighted for years after the latest Harry Potter and the Deathly Hallows hits the streets in July.
And Google recently announced plans to merge Google Maps with Google Books, so, in theory, you can follow your character, fiction or non-fiction, through the streets of New York or Moscow. Although I wonder how Google Book-Maps would handle the settlements in Robert Heinlein's Moon is a Harsh Mistress
.
(Wikipedia entry)
I now have a "what do I have to lose" attitude about Google Book Search, especially since Toobin's article shows that the publishers are of two minds (or perhaps forked tongues) on the issue, at one end making deals with Google and on the other suing over copyright issues.
Ever since book publishing became part of media conglomerates and began selling books to the major chains, rather than the reading public, the author has become the least important person in the process. I simply assume--and most writers I know agree with this--that I am going to be ripped off anyway. So what's a little copyright infringement along the way? Perhaps if Google finds a way to pay the author's share directly for those who want to view or download copyright works, rather than going through the publishers, there will be more pluses than minuses for an author.
It's often less frustrating and more satisfying just to blog at least part of your work without having to deal with magazines that won't pay you enough for your time and effort any way or editors who write "guidelines" which are so unclear that they could have used a good copy editor. That's why I am blogging how I am building my model railway, rather than bothering to go to the magazines, which demand all rights --another ripoff.
Labels: CBC, Google, Google Book Search, Harry Potter, photography, publishing, Robert Heinlein, writing
I write in a renovated garret in my house in a part of Toronto, Canada, called "The Pocket." The blog is named for a tree can be seen outside the window of my garret.

- Name: Robin Rowland
- Location: Toronto, Canada
I'm a Toronto-based writer, photographer, web producer, television producer, journalist and teacher. I'm author of four books.
The Garret tree is my blog on the writing life including my progress on my next book, A River Kwai Story: The Sonkrai Tribunal.
My second blog, The Creative Guide to Research, has news, information and hints for both the online and the shoe-leather" researcher.
My third, the Wampo, Nieke and Sonkrai follows the progress of my model railway based on my research on the Burma Thailand Railway.
View my complete profile
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